Cultivating knowledge as well as plants is at the heart of Barrada’s vision for The Mothership. The Dye House serves as the main studio and educational space, built above the terraces in the garden to accommodate a wide range of classes, workshops and gatherings.
The Dye House is a space for artistic and scientific exploration, research and production with a dye laboratory equipped with traditional and state-of-the-art facilities and tools. It has spaces for meetings and workshops, and a library for Yto Barrada’s personal archive of Moroccan and international textiles.
Yto Barrada
Born in Paris in 1971, Barrada moved with her parents to Tangier, the city which she continues to regard as home, in the mid-1970s. Over the past two decades, she has created an exceptional body of work in sculpture, photography, film and textiles, often drawing on the history and present of post-colonial Morocco, addressing issues of displacement and belonging.
Barrada’s interest in the landscape and botany of Morocco informed her 2006 series A Life Full of Holes: the Strait Project and Iris Tingitana, 2007, which focused on the disappearance from Tangier of the iris, a flower whose ability to grow in poor soil symbolises resistance. In 2003, Barrada co-founded Cinémathèque de Tanger. Based in the restored Art Deco Cinéma Rif in the city, the Cinémathèque continues to be an important hub for the local community, showcasing Moroccan and international cinema and offering a range of classes and courses.
A one-person exhibition based on the Cinemathèque de Tanger was presented at the Walker Art Center, Minneapolis in 2014. Barrada’s work has been exhibited at Tate Modern, MoMA, New York, the Renaissance Society, Chicago, Jeu de Paume, Paris and Museo Reina Sofia, Madrid.
The Mothership was founded with the support of Artangel through the Artangel International Circle.
The Mothership Founders Circle: The Brown Foundation, Stephanie and Philippe Camu, Suzanne Deal Booth, Pace Gallery.
The Mothership Patrons: The Arab Fund for Arts and Culture, Thomas Dane, Catherine Petitgas.